PhD Students

As supervisor

Oliver Chandler
Edward Elgar’s utopias

Rebecca Day
Philosophical, analytical, and psychoanalytic conceptions of subjectivity in Mahler’s musical modernism

Annika Forkert
The philosophy of musical modernism in Britain and Europe

William Fourie
Topological approaches to music in post-apartheid South Africa

Michael Graham
Shakespeare and twentieth-century British opera

Christopher Kimbell
Place and German identity in Wagner’s Die Meistersinger von Nürnberg

John Ling
Ethics and aesthetics in musical debates in England, 1888–1907

Rachel McCarthy
Music, musicology, and anti-capitalism in the twenty-first century

Richard Mecarsel
Gestalt principles from Wagner to 20th century Avant-Garde theatre: the Gesamtkunstwerk as a codified medium

Nathan Mercieca
The philosophy and ethics of writing about music

Sarah Moynihan
Analytical conceptions of modernism in late Sibelius

Simeon Smith
Gustav Holst and Religion: Music, Modernism, Dharma

Christopher Tarrant
Analytical, hermeneutic, and philosophical study of Schubert’s chamber music for strings

Jessica Williams
Opera and myth in twentieth-century British music

Aletheia Woodhouse
Power, privilege, patriarchy and politics in twentieth-century Britain: the music of Elisabeth Lutyens and Elizabeth Maconchy

As advisor

Jane Angell
Corissa Gould
Emer Hopkins
Jonathan Lewis
James Olsen
Jeffrey Warren