As supervisor
Oliver Chandler
Edward Elgar’s utopias
Rebecca Day
Philosophical, analytical, and psychoanalytic conceptions of subjectivity in Mahler’s musical modernism
Annika Forkert
The philosophy of musical modernism in Britain and Europe
William Fourie
Topological approaches to music in post-apartheid South Africa
Michael Graham
Shakespeare and twentieth-century British opera
Christopher Kimbell
Place and German identity in Wagner’s Die Meistersinger von Nürnberg
John Ling
Ethics and aesthetics in musical debates in England, 1888–1907
Rachel McCarthy
Music, musicology, and anti-capitalism in the twenty-first century
Richard Mecarsel
Gestalt principles from Wagner to 20th century Avant-Garde theatre: the Gesamtkunstwerk as a codified medium
Nathan Mercieca
The philosophy and ethics of writing about music
Sarah Moynihan
Analytical conceptions of modernism in late Sibelius
Simeon Smith
Gustav Holst and Religion: Music, Modernism, Dharma
Christopher Tarrant
Analytical, hermeneutic, and philosophical study of Schubert’s chamber music for strings
Jessica Williams
Opera and myth in twentieth-century British music
Aletheia Woodhouse
Power, privilege, patriarchy and politics in twentieth-century Britain: the music of Elisabeth Lutyens and Elizabeth Maconchy
As advisor
Jane Angell
Corissa Gould
Emer Hopkins
Jonathan Lewis
James Olsen
Jeffrey Warren